The Arabic version was designed by Kristyan Sarkis and published in 2015. In 2015, Greta Sans was recognised by the Tokyo TDC, and in 2016, it was selected as the winner by The Society of Typographic Arts, Chicago. The Latin part has been published in 2012, the Cyrillic and Greek in 2015. Irina Smirnova designed the Cyrillic version. Greta Sans was designed by Peter Biľak, produced together with Nikola Djurek. The default numerals are Proportional Lining numerals, but the typeface also includes Old-style proportional Figures for use in running text, Lining and OsF tabular figures, Superior figures, Inferior figures, Small caps figures, and finally Circled and Inverted circled figures. The resulting spectrum then runs continuously from Display to Text to Display use.Īll weights of Greta Text include nine different kinds of numerals. While the basic text styles (Regular) are spaced and optimised more loosely for use at small sizes, the surrounding extremes (Hairline, Black) are designed to be used as Display types, and therefore spaced and kerned tightly. Greta Sans is designed as a continuous optical size system.
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